(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)

Commentary
My assignment for this blog post is to mention
– my father’s intellectual honesty
– a sermon in Conclave that int’rested me
– a book by Peter Enns
– an exchange with one of my super-smart friends
Here goes….
What do we do when clouds pop up in the clear blue sky of our beliefs, be they beliefs about the natural or supernatural world?
I wrote this poem to myself while the question was troubling me more than usual.
Here’s the setting….
One of my newest friends is skilled in poetry, theology, and science. In conversations with him, it seemed like a perfect time to revisit the Genesis creation account. How do Genesis 1 & 2 shed light on reality? It’s a huge question, but I thought that with my friend’s help I might make a little progress in clearing up my confusion. We talked, and he loaned me a book with lectures on this topic by the esteemed Bruce Waltke.
So, I’m reading those lectures. At the same time, I’m listening to books by Peter Enns. Waltke and Enns both taught at Westminster Theological Seminary in Philadelphia. Although I haven’t accessed the source materials, I know they had a serious, respectful dialogue highlighting “fundamental questions about how to approach biblical interpretation, especially when dealing with apparent contradictions or historical and scientific challenges” (that’s an AI summary). The Enns book I’m currently listening to is The Sin of Certainty.
I also heard certainty challenged from another quarter. In the movie Conclave, the Ralph Fiennes character preaches a sermon that includes these memorable lines:
Certainty is the great enemy of unity. Certainty is the deadly enemy of tolerance.
Criticisms of certainty resonate with me. My father was a theologian and writer. He “knew his stuff.” But he was also intellectually honest. That is, he recognized and readily acknowledged what he DIDN’T know. He was characterized more by humble faith than by certainty. Having grown up with that model, I am repulsed when people think they know more than they really know. I’m skeptical—and dismissive—of their certainty.
And now to my exchange with a super-smart friend—not the poet, not my father, but another friend…. We were discussing the question of whether or not heaven will always be distinct from earth. In part of my argument for a future unified Heaven/Earth, I mentioned my notion that
Jesus’ “going up” in the Ascension [might be] an accommodation to man’s limited apprehension of the unseen world. Hints of that world are sprinkled throughout the Bible. Think, for instance, of Elijah’s being whisked “away” in a chariot of fire. Or a passage nobody ever mentions: the 70 elders’ vision of God and His sapphire pavement in Exodus 24.
It was that argument where I got the idea for the metaphor in my poem. Jesus is received into the clouds and thereby hid from the disciples’ sight. The clouds are a transition between the seen and the unseen.
Clouds, like uncertainty, suggest that there’s more and better to know beyond, something ALMOST attainable. A certainty to which we’ll arrive—soon, eventually… just not yet. Another way of looking at this would be that when we cannot control our environment, God may be at work, changing our hearts, or changing our circumstances
A CONFESSION
That last paragraph was supposed to be the clincher of this commentary. I had hoped to perfectly capture in prose what I intuitively wrote in verse. But I didn’t succeed. It turns out I am uncertain of my own meaning. Is that uncertainty fine? Can I let it be? It’s the perennial question of this growing poet.


















