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Commentary
You might think from the odd first line that I’m experiencing synesthesia. Who LISTENS to a painting? Who can HEAR the scene it depicts? Not me. And that’s just the point!
I long to be IN the scene, for tight-in frames to fall away from a panoramic view. To hear. To feel. To be out there. To be UP there! To waken sleeping sympathies.
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Commentary
When this book cart rolls across the concrete floor of our cavernous library, it creaks and rumbles so loudly that I have to put my fingers in my ears. Somebody please send me soundproofing tape. FOR THE CART.
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Commentary
For several weeks now, I have been camping out in the last several chapters of Acts and 1 Peter (before breakfast and on my lunch walk, respectively). Meanwhile, I am suffering some trials. This poem/prayer is a response to what I’m reading and thinking and living.
Here’s an exchange I had about this poem with someone I deeply respect:
Debbie Johnson: There is so much chaos, so much pain littering a landscape made for beauty & wonder.
Me: Well-put! And yet the suffering that results is—inscrutable to me—a major part of restoring that landscape.
Debbie Johnson: Yes! And as CS Lewis would add, recognizing the unsoothable ache is a reminder we were made for something beyond even our best here.
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Commentary
[This strange little poem is a flight of fancy. Any connection with a Greek goddess, a Norwegian singer, or a school in Cusco, Peru is accidental.]
Tonight, I was thinking about a photo I edited this morning. I had shot a Peace Lily flower and then boosted the saturation. Was it too much saturation? Am I overly enamored with jewel tones? Then I thought about places on earth where jewel tones are extravagantly displayed. I’ve seen them in the clothes of Quechua in the Peruvian Andes; I’ve seen pictures of the Aurora Borealis. How is one like the other? I began writing about the harsh settings, and the comfort brought to those settings by brilliant displays of color….
By the way, here’s the photo that launched me on this flight of fancy. As I was walking by one of the Peace Lilies at the library where I work, I thought I’d stoop down and look at one of the flowers from a lower vantage point. The heavy timber framework of the library’s high ceiling provided an interesting background. So I snapped a photo, and then did a little editing.
(poem’s background image by Yolanda Coervers on Pixabay)
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Commentary
Someone I love advised me against being as transparent as I wish to be. If this is insensitive, please forgive me….
In my work at the library, my favorite clients tend to be older black women. Here’s what I have observed…. They are often vocal followers of Jesus Christ, and they tend to have a joy that rises above the circumstances I KNOW they have experienced through a lifetime in our country. They are my superiors, and I love working with my superiors.
Here’s a story I wrote about one such patron:
A little lady stopped by the reference desk holding her computer pass. “I’m going to need your help,” she said to me. Then, feigning terror, she added, “Look at my face!”
“Full of beauty, love, and grace?” I shot back. “Don’t worry, I’ll help you.”
As we sat together working on her documents, she began telling me how good her grown children have been to her, how if she asks them to do so they’ll pool their money and buy her a computer. To prove her point she showed me pictures of the little greenhouse they bought her, complete with a clever sprinkler system. I asked her how she’ll cook the squash and okra she started in the greenhouse and is now growing in her garden (hint: it involves baking, which is better than boiling!).
Humor, patience, thankfulness. The question I’d shot back at her was right on the money. Look at her face… full of beauty, love, and grace.
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Commentary
I’m camping out in the last third of Acts. Here, the threat posed to unconverted Jews by Paul’s missionary project comes to a head. He has returned to Jerusalem, and he is recognized as one who has been promoting God’s Kingdom to Gentiles. At one point (in Acts 22), he is addressing a crowd that wants to kill him. They are listening quietly right up until he says, “Then the Lord said to me, ‘Go; I will send you far away to the Gentiles.’” (v. 21)
Luke writes, “The crowd listened to Paul until he said this. Then they raised their voices and shouted, ‘Rid the earth of him! He’s not fit to live!’” (v. 22)
We must ask ourselves why the listeners were so enraged by Paul’s mission. Were they afraid of some great loss? (***And what about us, in the battles WE wage?***)
I’m reminded of that strange little passage in John chapter 12 where some of his disciples inform Jesus that there are Greeks wishing to meet him. John writes, “Jesus replied, ‘The hour has come for the Son of Man to be glorified. Very truly I tell you, unless a kernel of wheat falls to the ground and dies, it remains only a single seed. But if it dies, it produces many seeds.’” (vv. 23, 24)
There’s a lot to unpack in that seeming non-sequitur. In short (when did a poet ever unpack anything?!), God’s glory is revealed when his self-sacrificial love for the world confronts man’s selfish tribalism.
Be on the lookout for where you oppose God’s loving purpose. The little glimmer you’re protecting WILL be put to shame by God’s glory.
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Commentary
Here’s one of my weird poems, a blurting out of thoughts I don’t yet fully understand.
For what it’s worth…. I’m reading (having a fierce argument with) a book that purports to be about theologically-correct social justice. Over and over, I find myself wondering if Jesus would rebuke the author in the same way he rebuked fine-sounding Pharisees.
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Commentary
For about two weeks, I had been collecting footage from this cardinal nest just outside my window. As it turned out, this would be the last footage I got before the baby bird and parents disappeared. I know from previous experience that a baby bird flies off before you think it could possibly be ready. So I’m assuming the best!
The background music is from Dvorak’s “New World Symphony.” That was one of my mother’s favorite symphonies, and so it is also special to me. I thought I’d record myself playing it on the accordion, but gave up after I heard my first recording attempt. So, I downloaded a royalty-free copy of an orchestral version of the Largo movement and used my favorite part of that.
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Commentary
This may appear to be a depressing poem. Let me explain why it isn’t really….
A dear friend treated me to supper last night. This morning, I woke up and immediately wrote down what I had said to him, except that I put it in verse. Here goes:
TO UNKNOWN SIDE OF MOON I GO Over the last several years, slowly at first, but gathering speed as time passes, I have been changing. At least I have been examining my life more carefully, and laying myself open to change.
RACISM First, I became aware of my own racism. In 2016, I was being considered for a job that would have involved ministering in the Hispanic world. But even though I am a missionary kid born in Mexico, I had by my mid-fifties developed significant antagonism toward the growing population of Hispanics in the US. We can all thank God that job didn’t pan out. Imagine the hypocrisy!
Just after that, I went full-time with my web design business. In all the spare time I had, I began taking long daily walks. On those walks, I listened to many books, including all of the Bible (several times through). I’d walk around White Rock Lake, listening, and pondering. I also began observing how I responded to each person that I encountered on the trail. Why was my heart immediately warm toward this person, but cold and distrustful toward that person? I noticed–once again–that racism was definitely involved.
SELFISHNESS Acknowledging and inspecting my antagonism toward Hispanics revealed a deep vein of selfishness in me. At one point, I had to admit, “I don’t like this influx of Hispanics in the US because it’s a drag on the economy.” In other words, I was thinking with my wallet–how a group of people affect my wealth–not with Jesus’ welcoming, hospitable love. (By the way, I wasn’t thinking very well in any case). It seemed obvious to me that I had to either follow Jesus or give up that way of thinking.
As the years passed, I began to see how that vein of selfishness was influencing my politics, my view of history, even my theology. It’s hard to be an honest interpreter of Scripture when you are motivated to find God giving you every advantage while denying it to others!
A SENSE OF SUPERIORITY This brings me to something I was finally able to articulate to myself last night just as I walked across the parking lot to meet my friend in the restaurant. One of my biggest struggles in life is the temptation and tendency to think of myself as superior to many others in many ways: smarter, wiser, healthier, more discerning, more talented. Not, of course, superior to everyone around me… I’m arrogant, not stupid!
A LONG SLOW COURSE OF MEDICATION When I recognized my selfishness and racism, I began reading extensively about the history of white supremacy in the US. There’s simply no way that I escaped inheriting some of the rottenness in that pervasive ideology! Talking with my friend at supper, I listed some of the authors I have read. As you read this list, you may be tempted to jump down my throat. But hear me out. The authors included Robin DiAngelo (White Fragility), Abram X Kendi (Stamped From the Beginning), Bryan Loritts (Insider Outsider), Jemar Tisby (How to Fight Racism), Luke Bobo (Race, Economics, and Apologetics), and Ta Nehisi Coates (We Were Eight Years in Power). With the exception of DiAngelo, these authors are all black men and skilled writers. Even if I question their analysis or solutions, I deeply appreciate their ability to articulate their perspective. Some of them are my brothers, and all are my friends in that regard. Reading these authors, and imbibing many related documentaries and podcasts has been like taking a long slow course of medication. I’m getting better, largely by understanding how bad off I am.
BACK TO THE POEM The dark side of the moon is a hostile, unfamiliar environment. If the moon we see every night is smiling on us approvingly, the dark side of the moon is indifferent at best, scowling murderously at worst. In its metaphorical eyes, we are not great. In its metaphorical eyes, any notion that I am superior to anything or anyone is laughable.
HAVE I SAID ENOUGH? If you go back and read the poem now, does it start to make sense? Can you see that it is hopeful, and not depressing? Let me know by commenting below!
[Note to my future self: I wrote this a day or two after watching an episode of The Crown, in which Prince Philip has a private interview with the Apollo 11 astronauts. Philip was experiencing a crisis at that point in his life, and he hoped that the astronauts would have some serious, helpful observations about life and faith. Alas, they were at that point just men of action, not contemplation.]
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Commentary
PRACTICAL POETRY When it comes to pleasures in life The perils and pitfalls are rife The proper preserving of cheese May help you avoid some of these
In case you can’t imagine what I’m talking about, here’s a picture of me making a sandwich with sliced deli cheese that was frozen. Notice how crumbly it is!
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Commentary
When I first posted this on social media, I could barely contain my excitement:
I can hardly wait to write this up and post it on my blog. I haven’t fully figured out my own poem(!), but it has something to do with gratitude for having been cradled in metaphor. It rocks me still, many years after Mother’s passing.
Like the title, the poem is admittedly confusing. I appear to be talking about three entities: a boy, my mother, and my muse. Let me try to sort it out….
“MUSE“ When I set out to write this poem, I was simply thinking about how to explain those dry times when there’s no inspiration for poetry. Basically, my “muse” (my inspiration) is recharging, often by reading and resting. I think my reader can see that in the poem. And of course it is actually I who am recharging, not some external, mythical influence.
“MOTHER“ For some reason (Freud would have theories), my thinking shifted from an impersonal inspiration—my “muse”—to the most personal inspiration of all: my mother.
Once my focus shifted from an imaginary, impersonal “muse” to my mother, the first stanza came to me full-formed and finished, with one exception…. Once I had found a suitable background photograph, I substituted “ran” for what I had there originally: “wandered.” By the way, I do actually, literally remember my mother starting a story with these curious words.
“BOY“ That brings me to the most confusing part…. My mother was never a little boy. But in an effort to connect with me in my boyhood, she told me about her early life AS THOUGH she too had once been a little boy. That may have been easy and natural for her, since she was an only child, a self-proclaimed tomboy, and she lived out in the country. In any case, my kind, creative mother employed a giant metaphor to communicate her solidarity with me. As I wrote above, I am grateful for having been cradled in metaphor. Elements of poetry–metaphor, creativity, beauty–surrounded me in my youth.
“DANCING THE NEWS” The fourth line of the second stanza changed repeatedly. Instead of “the news,” I tried various adverbs to describe how my muse acts when she’s not off recharging. I had her “dancing playfully,” “…energetically,” and “…gracefully.” None of those satisfied me. Finally, I decided that I should bypass all those adverbs and point instead to the reason behind her dancing: “good news.” (By the way, this is a line I’m borrowing from one of my own favorite poems: “Dancing The News.”) Although much of my poetry is complaint, or lament, I think it is all written in the context of hope for eventual resolution and restoration. Ultimately, I am inspired to write poetry by the “Good News” of the Gospel. My mother–more than anyone else–enabled me to see that good news.
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Commentary
For some time now, greed and selfishness have held morbid interest for me. So, so much of life looks different once you recognize these sins in yourself. So, my eyes are wide open this evening as I read a chapter on “Greed vs. Generosity” in Brant Pitre’s helpful “Introduction to the Spiritual Life.”
The poem’s last line is a double-entendre. I have made enemies with double-entendres. But in my poetry I mean them for good.
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Commentary
I’ve often hit the story of Cain and Abel and thought, “I’m not thinking deeply enough about this!” So here’s a prayer. I hope it isn’t merely “fruit of the ground.”
POSSIBLE HOGWASH About that “fruit of the ground….” I doubt this, and I honestly haven’t done any study of the matter, but what if it “fruit of the ground” refers to windfall? Have you ever walked by a peach tree or an apple tree and been tempted to pick up a fruit that has fallen to the ground and then chomp into it? No? Me either. That fruit probably isn’t worth much. In any case, SOMETHING about Cain’s offering fell short of “doing what is right.”
As we read the account, notice something astounding: Cain murders his brother even after God has tried to reason with him.
In the course of time Cain brought some of the fruits of the soil as an offering to the Lord. And Abel also brought an offering—fat portions from some of the firstborn of his flock. The Lord looked with favor on Abel and his offering, but on Cain and his offering he did not look with favor. So Cain was very angry, and his face was downcast.
Then the Lord said to Cain, “Why are you angry? Why is your face downcast? If you do what is right, will you not be accepted? But if you do not do what is right, sin is crouching at your door; it desires to have you, but you must rule over it.”
Now Cain said to his brother Abel, “Let’s go out to the field.” While they were in the field, Cain attacked his brother Abel and killed him.
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Commentary
One of the things I value about social media is that it has put me in touch with kindred spirits in far-flung places. I had a couple of them in mind as I wrote this poem. Both of them are ex-pastors who are rethinking aspects of Christianity–as am I. We don’t know each other personally and we seem to have different parameters for our respective examinations of faith. But we do share faith in a Savior who guarantees eternity and the expectation of satisfying friendships forever.
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Commentary
The poem above is not an endorsement of evil. Rather, it is a pondering of what it must have been like to be Adam, to not have known anything but good. But then the serpent suggests that God is withholding something…. This is our daily experience: Satan whispering that God cannot be trusted to give us all that’s good, that our current circumstances indicate that we can’t really trust Him.
More about that…. For some time now, I have been testing this definition of faith: grateful reliance on God. It is depending on God to provide what is good for us. Conversely, a failure of faith resents that God is withholding something good from us.
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Commentary
This poem expresses my confidence that there is no shortage of things to inspire poetry. If a few days pass when I don’t feel any urgency to write, I don’t panic. My muse will return.
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Commentary
This poem was inspired by one of the accounts of Jesus’ interaction with his disciples after the Resurrection. Let me quote that at length:
While they were still talking about this, Jesus himself stood among them and said to them, “Peace be with you.”
They were startled and frightened, thinking they saw a ghost. He said to them, “Why are you troubled, and why do doubts rise in your minds? Look at my hands and my feet. It is I myself! Touch me and see; a ghost does not have flesh and bones, as you see I have.”
When he had said this, he showed them his hands and feet. And while they still did not believe it because of joy and amazement, he asked them, “Do you have anything here to eat?” They gave him a piece of broiled fish, and he took it and ate it in their presence.
Luke 24:36-43 (NIV)
I’m not going to write the book that could be written about this passage. For that, let me refer you to an excellent book I was reading when I wrote the little poem:
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Commentary
OOF. I took a long walk with a wise friend yesterday. I tried out my interpretations of the world on him. Some of them he found wanting. For his intelligent honesty and other reasons he remains a VERY GOOD FRIEND.
On the other hand…. It is sometimes essential for me to strip away the excuses and alternate explanations for what strikes me as evil. I’m a poet, after all, not an apologist or diplomat.
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Commentary
A friend pointed out to me that in this poem, as in another recent poem (“Joyful Chagrin“), I may be going beyond anthropomorphizing or personifying nature, and am now flirting with a philosophical view called panpsychism. I had to look up the term, and sure enough, I do flirt with that view. It’s hard to escape when, for your entire life you have read about trees “clapping their hands,” and how “even the wind and waves obey him.”
The Title, “Matter’s Obedience” I tried a couple of inversions in coming up with the title. The first attempt was “Matter Loves God,” which is an inversion of the recognition that “God loves matter.” Then, I inverted “Obedience Matters” to the current title: “Matter’s Obedience.” Those two attempts are related. Obedience is an evidence of love.
Can the physical universe really respond to God in loving obedience? I’ll keep saying it can, until God tells me “No, silly Brad. But I love you nonetheless.”
(background image adapted from one by “wal_172619” on Pixabay)
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Commentary
This poem springboards from reading an argument that Jesus’ divinity is present in the Synoptic Gospels (Matthew, Mark, and Luke), not just in John. In the actual argument, Brant Pitre shows that Jesus did things that his first century Jewish observers would have interpreted as implying his divinity (see the comparison below, taken from p124 of Pitre’s The Case for Jesus). So the Synoptics implied what John stated.
Face of the Deep In using the phrase “face of the deep,” I am playing with the King James Version rendering of Genesis 1, verse 2:
And the earth was without form, and void: and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.
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Commentary
I often think of Stephen Crane’s poem that goes like this:
A man said to the universe: “Sir, I exist!” “However,” replied the universe, “The fact has not created in me A sense of obligation.”
A Man Said to the Universe by Stephen Crane
I have read this about Stephen Crane:
influenced by the Darwinism of the times, Crane viewed individuals as victims of purposeless forces and believed that they encountered only hostility in their relationships with other individuals, with society, with nature, and with God.
You can see that sense of hostility in Crane’s poem about a man addressing the universe. Perhaps you see it in my poem as well.
I’ll admit: I’m expressing a sense of isolation or alienation–perhaps even hostility–that I feel all too often these days. It’s akin to what Stephen Crane expressed. My sweet Christian friends will be quick to remind me of our shared faith in a loving, embracing God. But that doesn’t mean I shouldn’t express my occasional dark thoughts in poetry. Otherwise, how many Psalms would we have in the Old Testament?
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Commentary
This poem was inspired by a passage in Brant Pitre’s excellent “The Case for Jesus.”
Being a student in the ancient world was radically different from what it is like today, when it simply means you may (or may not) listen to a fifty-minute lecture three times a week for a semester. Being one of Jesus’ students meant following him everywhere, and listening to him all the time, for anywhere between one and three years.
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Commentary
In my crawl through the book of Acts, I’m to chapter 20, and I hit this passage:
On the first day of the week we came together to break bread. Paul spoke to the people and, because he intended to leave the next day, kept on talking until midnight. There were many lamps in the upstairs room where we were meeting. Seated in a window was a young man named Eutychus, who was sinking into a deep sleep as Paul talked on and on. When he was sound asleep, he fell to the ground from the third story and was picked up dead. Paul went down, threw himself on the young man and put his arms around him. “Don’t be alarmed,” he said. “He’s alive!” Then he went upstairs again and broke bread and ate. After talking until daylight, he left. The people took the young man home alive and were greatly comforted.
Acts 20:7-12 (NIV)
What’s the point of Luke’s account? Don’t sleep in church? God’s power was displayed through the Apostle Paul? It’s probably something along those lines, not the supposed “moral of the story” I suggested in the last stanza of my poem. But I couldn’t resist. I sent the poem off to three of my preacher friends. So far, they haven’t responded. They’re probably busy crafting succinct sermons. Good luck, I say!
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Commentary
This poem is my sour grapes version of the philosophical thought experiment “If a tree falls in a forest and no one is around to hear it, does it make a sound?”
Why sour grapes? Somewhere in this big world, there’s an audience for my poetry. But aside from a handful of kind family and friends, I haven’t found that audience. Moreover, my potential audience keeps getting smaller and smaller as my thinking about this world gets more and more idiosyncratic.
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Commentary
For now, I’ll just copy what I wrote on Facebook:
Susan tells me she’s glad I find comfort in writing. I think it’s called lament.
I don’t know about that last line. How can death be a disease? I tossed down this whole poem almost intuitively, not thinking deeply about my word choice. When that happens, I tend to trust my subconscious. There may be more there than meets the eye.
#changeordie #resistingchange #preferringdeath
(background image by Fernando Zhiminaicela on Pixabay)
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Commentary
There’s a Price to Passion
I respond powerfully when music is performed well. God bless good musicians!
Unfortunately, my response is equally powerful when music is performed poorly.
If you don’t share this powerful response to music, you may not understand or sympathize with the following….
Sometimes when I’m at church, I find it hard to worship. My body wants to move with the music, but doesn’t feel a groove. It may be a drummer who’s drumming to the beat of a different march. Or it may be guitarists and pianists who are stepping on each other rhythmically. My voice wants to harmonize, but harmony’s made practically impossible by off-pitch musicians or bad accompaniment. It’s a real struggle then to maintain my equanimity, much less worship.
You know who I really pity? Those with perfect pitch. How miserable is their journey through life?
(background image is Rembrandt’s “Saul and David”)
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Commentary
This poem comes out of reading Acts 19 (the riot in Ephesus), and contemplating what 21st-century white evangelical Christians could glean from the story.
Wouldn’t it be something if the Way actually threatened OUR comforts and privilege as it did the pagans in first-century Ephesus!
Consider this last paragraph from a 2019 piece by Washington Post columnist Michael Gerson:
Many white evangelical Christians hold a faith that appeals to the comfortable rather than siding with the afflicted. They have allied themselves with bigots and nativists, risking the reputation of the gospel itself. And, in some very public ways, they are difficult to recognize as Christians at all.
In my crawl through Acts, I’m to chapter nineteen. When you look up “Is there humor in Luke’s writing?” you’ll often be pointed to Acts 19 and the story of Sceva’s seven sons. Yes, there are serious considerations…. But in the context, this does strike me (no pun intended) as a story that amused Luke.
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Commentary
When you’re not an Anglican, but serving them in the soundbooth, and the priest comes up and says, “Just let the slides go black; come down and let me wash your feet.” Maybe next time I’ll be less duty-bound, and accept. It would have been a blessing, all around.
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Commentary
On two or three recent occasions, I have needed the word “extrapolate,” but couldn’t think of it. So, I had to resort to “compensate.” This morning, the word I was seeking popped into my mind, and I was so happy I wrote a poem.
It is said that Peter Mark Roget (1779–1869) made lists of related words partly to combat his persistent depression. Which of us hasn’t benefited from the resulting Roget’s Thesaurus? As you can probably guess, he was a brilliant and accomplished man. He also lived a long life. He was deaf by the time he died at age 90. I didn’t know that yet when I attributed my own prayer to him in the title of this poem.
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Commentary
One of the things I have been gnawing on lately is an observation that Christians sometimes refuse to acknowledge that we are sinners. When some intrepid preacher points out one of our common everyday sins,* some of us go out of our way to marginalize that preacher. It’s ridiculous. My theory is that we wish to hang on to certain sins.
I know some will read this poem and immediately think “Unwholesome!” a la Ephesians 4:29. We need to work on our understanding of that verse. It must surely have to do with the speaker’s (or writer’s) INTENT, be it to build up, correct, benefit… or be it merely to shock, and give the speaker/writer some undeserved attention.
My intent in writing this is for the reader to recognize himself or herself in their unspoken(?) complaint, and then to REFLECT: “Do I ever do what this poem speaks of?”
*Like racism. This is something we all struggle with. But I have seen and heard people claim that’s all in the past. Bologna!
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Commentary
Yesterday I read an article exploring why lay people often insist that we should not end sentences with prepositions. Linguists say we CAN do so in English, and that the rule came from a wrong-headed attempt to conform English to Latin.
I like French and other Romance languages. But I don’t like silly rules, such as the one that says you can’t end a sentence with a preposition, or that you can’t start a sentence with “but.”
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Commentary
This is a poem in search of a theodicy. It asks, “How is God good if only a small percentage of the men and women he created are to be saved from destruction?”
Let me put that more personally… This poem is an actual prayer. I want God, the Potter, to answer. I trust his goodness, but I wish for him to verify that his goodness is displayed even in pots being made for destruction.
